|
There was a time when Louis Vuitton watches were discussed with qualifiers. Fashion house. Design-forward. Interesting, but…That era is decisively over. The new Tambour Convergence Guilloché doesn’t ask for permission or context. It simply arrives as a serious, quietly breathtaking piece of modern haute horlogerie. At first glance, it’s the dial—or rather, the sculptural golden landscape—that stops you. Hand-turned guilloché radiates outward in deep, almost architectural waves, executed not on a flat surface but across a subtly domed rose-gold plate. This is métiers d’art done the hard way, on restored 19th- and early-20th-century machines, by artisans who understand that restraint is often the most difficult discipline of all. The result feels less decorative than elemental. Then there’s the mechanics. The in-house Calibre LFT MA01.01, developed and finished in Geneva by La Fabrique du Temps, anchors the watch with real horological credibility. A dragging hours-and-minutes display, a free-sprung balance, and refined finishing details signal intent, not experimentation. What makes this release especially compelling is the aptly named convergence of craft, confidence, and cultural gravity. Louis Vuitton’s global name recognition is unmatched, and now the watchmaking is finally meeting that scale. The Tambour Convergence Guilloché isn’t Vuitton trying harder. It’s Vuitton aiming higher—and throwing down.
0 Comments
When I first covered the Monterey from Louis Vuitton, it was a runway surprise—vintage LV I and LV II watches gleaming on the wrists of models at Nicolas Ghesquière’s Fall/Winter 2025 Paris show. What had been a curious footnote in Louis Vuitton’s watchmaking history suddenly became the accessory everyone wanted. Designed by the renowned architect Gae Aulenti in 1988, the originals captured a kind of futurist optimism that, decades later, felt entirely of the moment. That rediscovery sparked a fever in the collector world. Those original “Monterey” pieces—named after the American pronunciation of montre—began appearing at auctions and on the wrists of tastemakers who appreciate the hybrid of art, design, and horology. Their lug-less, pebble-shaped forms, bold typography, and 12 o’clock crown were pure Gae Aulenti: functional, sculptural, and quietly subversive. The fascination grew so intense that Louis Vuitton’s revival felt almost inevitable. Now the Monterey returns, re-imagined by La Fabrique du Temps Louis Vuitton with exquisite restraint. Limited to just 188 pieces, the new edition swaps the quartz heart for an in-house automatic caliber and pairs yellow gold with a radiant white Grand Feu enamel dial. Every detail—from the red and blue twin-track scales to the hidden engraving beneath the strap—feels destined for collectors. In an era obsessed with nostalgia and craft, this is more than a reissue; it’s an instant modern classic.
Before Louis Vuitton (us.louisvuitton.com) officially entered the world of haute horlogerie with the Tambour in 2002, the brand took an early and unconventional step into watchmaking with the Monterey. The watch was first released in 1988, a groundbreaking collaboration between Louis Vuitton, the Swiss watch brand IWC, and the renowned Italian architect Gae Aulenti. Known for her visionary work in design—including the transformation of Paris's Gare d'Orsay into the Musée d'Orsay (my all-time favorite museums)—Aulenti brought an avant-garde sensibility to the world of watchmaking, making the Monterey one of the very few watches designed by a woman. For Louis Vuitton, which originated as a luggage maker, travel themes are omnipresent, never so much as in the recent fall-winter fashion collection shown in Paris on March 10, 2025. Presented at L'etoile du Nord, the location was a former HQ of a train company located near the Gare du Nord station. One of Aulenti's most famous projects, an art museum in a former train station, provided an additional link to the multi-layered train travel themes embedded in the show. Rumor has it that Vuitton plans to rerelease the Monterey in precious metal with an automatic movement in a very limited edition. What truly sets the quartz-powered Monterey apart is its striking design. The ceramic case, a rarity at the time, houses an unusual dial configuration: Arabic numerals for the hours are placed at the center, surrounded by a railroad track for minutes. In contrast, bold red date numerals line the outer edge. But its most distinctive feature is the crown, which protrudes from the top of the case, earning the watch its fitting nickname: "The Unicorn." One of the more fascinating design features is that Aulenti also eliminated traditional lugs. Instead, a single-piece strap threads through the case back, ensuring a sleek, seamless integration of strap and watch. Today, the Monterey remains a cult classic, a hidden treasure in the world of luxury watches. It has even found a fan in Jean Arnauld, Louis Vuitton's Director of Watchmaking, who has been spotted wearing one. As Louis Vuitton deepens its commitment to fine watchmaking, with ventures like the revival of Daniel Roth, the Monterey stands as a testament to the brand's early—and quietly revolutionary—steps into horology. This less complicated version of the Louis Vuitton watch, the Monterey II, is currently available at The Keystone.
|
|
RSS Feed