PRESENT - STEVIE WATCHES

Published on: January 28, 2026

Piaget’s Polo Two-Tone Proves Restraint Is Overrated

Piaget present

There’s something wonderfully unapologetic about the Piaget Polo 79 Two-Tone. In an era where “sporty-luxury” often defaults to steel minimalism and muted restraint, Piaget leans hard in the opposite direction—and thank goodness for it. This watch is an ICON (beloved by ME). Deservedly so. It glides onto the dancefloor like a night a Régine's wearing brushed white gold and polished yellow gold like it’s the most natural thing in the world, because for Piaget, it is.

As the Maison itself likes to remind us, Piaget only measures time in gold. Photo courtesy of Piaget.

The two-tone execution feels especially right here. It highlights the Polo’s defining gadroons, amplifying the bracelet-as-architecture effect that made the original 1979 model such a cultural marker. It’s not trying to look like a steel sports watch pretending to be elegant; it’s an elegant watch that just happens to be sporty. The ultra-thin Calibre 1200P1 inside—just 2.35mm thick—keeps the whole thing fluid, silky, and impossibly wearable despite all that precious metal bravado.When I think of Piaget, THIS is what I think of.

Sorry, steel sport watches. It’s an elegant all-gold watch that just happens to be sporty. Photo courtesy of Piaget.

This feels like a more-is-more moment. More texture. More gold. More confidence. And frankly, give us more of this. The Polo 79 has proven that collectors are hungry for watches that feel expressive and indulgent, not endlessly “toned down” for mass appeal. Give us what we want!

Back to the drawing board and bring us MORE. Photo courtesy of Piaget.

Here’s the real thought experiment, though: if Piaget ever released this exact watch in stainless steel—same proportions, same dial, same bracelet. HEADS. WOULD. EXPLODE. Until then, the Two-Tone stands as a reminder that restraint is optional, glamour is eternal, and Piaget is at its best when it leans in.

Published on: January 27, 2026

Why the Zenith x USM DEFY Chronograph Has Become One of My Favorite Modern Watches

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Every so often, a watch lodges itself in my brain and simply refuses to leave. Not because it’s loud, rare-for-the-sake-of-rare, or chasing whatever the internet is obsessed with this week—but because it gets the fundamentals exactly right. The Zenith x USM DEFY Chronograph is one of those watches for me. Even months after its release, I still find myself circling back to it, mentally placing it alongside objects I genuinely love: furniture, architecture, lighting, and industrial design.

I always love a collab, especially when it's done as smartly as this one. Photos courtesy of Zenith.

What draws me in is how unapologetically design-driven it feels. The DEFY’s angular 37mm case has always had a slightly architectural quality, but here it feels fully realized—like a modular system rather than a standalone object. The geometry is crisp, intentional, and beautifully proportioned, echoing the logic behind USM’s iconic modular furniture rather than merely referencing it. This is a collaboration that understands why USM matters, not just how it looks.

Pure ORANGE. Photos courtesy of Zenith.

And then there’s the color. USM Green, Gentian Blue, Golden Yellow, Pure Orange—these aren’t necessarily “watch colors,” they’re more design-world colors. The kind you associate with studios, creative offices, and modernist interiors. I love that Zenith leaned into that identity fully, right down to the chronograph seconds hand tipped with a tiny USM ball joint. It’s fun, yes—but also deeply considered.

Gentian BLUE. Photos courtesy of Zenith.

Powered by the El Primero 400 chronograph movement, the watch grounds all this design talk in serious horology. It’s functional, historically significant, and beautifully executed. But more than anything, this is a watch that feels aligned with how we live with well-designed objects. The items I choose, the spaces I admire, and the idea that great design should feel just as good five years from now as it does today.

USM GREEN meets the El Primero chronograph movement. Photos courtesy of Zenith.

Published on: January 23, 2026

The Perfect Summer Chronograph from TAG Heuer

present TAG Heuer

When TAG Heuer gets it right, it tends to get it really right—and the new Carrera Chronograph Seafarer is a perfect case study in that quiet, confidence-filled sweet spot where history, design, and usability click into place. This is TAG doing what it does best: revisiting its own archives not as cosplay, but as inspiration, then translating that spirit into something genuinely wearable today.

A sophisticated color palette really sells this new TAG Heuer Carrera Seafarer, a modern take on the beloved "Skipper." Photos courtesy of TAG Heuer.

First impression? The Seafarer’s charm starts with the dial. The sandy champagne opalin dial is an inspired base, but it’s the hit of teal paired with soft yellow accents that seals the deal. It feels nautical without being kitschy, vintage without being precious. This is summer color done with restraint and intelligence. It’s very easy on the eyes.

I live very near water, and this tide function would surprisingly come in handy. Photos courtesy of TAG Heuer.

Then there’s the tide indicator, a complication that sounds niche until you remember how poetic functional watches can be when they’re executed with clarity and purpose. Rooted in Heuer’s mid-century Seafarer and Solunar models, it’s now powered by the in-house TH20-04 movement and housed within TAG’s excellent glassbox Carrera case—arguably one of the brand’s strongest modern platforms.

Hey, TAG. More like THIS please! Photos courtesy of TAG Heuer.

At 42mm, on a beads-of-rice bracelet, water-resistant to 100 meters, and backed by real heritage, the Carrera Seafarer is sunlit, seaworthy, and quietly cool. It simply knows what it is. And that self-assurance, a fascinating Abercrombie & Fitch history and backstory, is exactly what makes it such a perfect summer watch. Available March 2026.

Published on: January 22, 2026

Louis Vuitton Tambour Convergence Guilloché Signals a New High Point for the Maison’s Watchmaking Ambitions

Louis Vuitton present

There was a time when Louis Vuitton watches were discussed with qualifiers. Fashion house. Design-forward. Interesting, but…That era is decisively over. The new Tambour Convergence Guilloché doesn’t ask for permission or context. It simply arrives as a serious, quietly breathtaking piece of modern haute horlogerie.

WHAT. A. STUNNER. The Louis Vuitton Tambour Convergence Guilloché. Photo courtesy of LVMH Louis Vuitton.

At first glance, it’s the dial—or rather, the sculptural golden landscape—that stops you. Hand-turned guilloché radiates outward in deep, almost architectural waves, executed not on a flat surface but across a subtly domed rose-gold plate. This is métiers d’art done the hard way, on restored 19th- and early-20th-century machines, by artisans who understand that restraint is often the most difficult discipline of all. The result feels less decorative than elemental.

As someone who has tried their hand at creating a guilloché dial, it ain't easy. Photo courtesy of LVMH Louis Vuitton.

Then there’s the mechanics. The in-house Calibre LFT MA01.01, developed and finished in Geneva by La Fabrique du Temps, anchors the watch with real horological credibility. A dragging hours-and-minutes display, a free-sprung balance, and refined finishing details signal intent, not experimentation.

It’s early in the year, with the watch-fair marathon still ahead—but this one sets an intimidating benchmark. Photo courtesy of LVMH Louis Vuitton.

What makes this release especially compelling is the aptly named convergence of craft, confidence, and cultural gravity. Louis Vuitton’s global name recognition is unmatched, and now the watchmaking is finally meeting that scale. The Tambour Convergence Guilloché isn’t Vuitton trying harder. It’s Vuitton aiming higher—and throwing down.

Published on: January 21, 2026

Laurent Ferrier Classic Origin 250: A Watchmaker’s Declaration of Flawless Taste

Laurent Ferrier present

There are anniversary watches, and then there are watches that actually understand what they’re commemorating. The Laurent Ferrier Classic Origin 250 falls firmly into the latter camp. Created to mark the 250th anniversary of the Declaration of Independence, this limited edition does something rare in modern watchmaking: it looks outward. Beyond Geneva. Beyond collectors. Beyond the watch world itself.

At first glance, the watch is pure Ferrier restraint. The familiar 40mm Grade 5 titanium “pebble” case, the opaline ivory dial, the Assegai hands in white gold—everything is calm, balanced, and deeply considered. But look closer, and the surprise reveals itself. The dial is quietly printed with the Declaration of Independence's actual text, fading in and out with the light. Not shouted. Not gimmicky. A reminder that ideas, like good watchmaking, endure.

Even more poetic are the red calligraphic initials of the original thirteen colonies replacing traditional minute numerals, and the phrase “Life, Liberty and the Pursuit of Happiness” sitting confidently at six o’clock. It’s an intellectual flex, but a tasteful one—arguably the finest taste level in contemporary independent watchmaking. (IMO)

Powering it all is the hand-wound LF116.01 calibre, finished to Laurent Ferrier’s exacting standards, complete with an 80-hour power reserve and that glorious, tactile winding feel Ferrier devotees obsess over.

This surprising introduction is not a patriotic watch. It’s a humanist one...and that’s precisely why it works. Quietly—and almost mischievously—the Classic Origin 250 lands as a reminder that shared ideals travel more freely than tariffs ever could.

Published on: January 20, 2026

Tiffany & Co. Gets (EXTRA) Serious About Watchmaking With the Tiffany Timer Chronograph

present Tiffany & Co.

There was a time when Tiffany & Co.’s watches felt like a beautiful side note to the brand’s far more dominant jewelry story. That moment is officially over. With the new Tiffany Timer, the House is making it abundantly clear that its ambitions in watchmaking are no longer symbolic. They are serious, technically grounded, and deeply confident.

Packing a visual punch. Not mistaking that blue dial for anyone but Tiffany & Co. Photo courtesy of Tiffany & Co.

At first glance, the watch is unmistakably Tiffany. The lacquered Tiffany blue dial is rich and dimensional, the result of an almost obsessive multi-day process that builds color and depth layer by layer. Then there are the diamond indices: perfectly cut baguettes that do more than sparkle. They anchor the watch firmly in Tiffany’s core expertise, translating its diamond authority into a language that feels natural on the wrist rather than ornamental. This is jewelry logic applied intelligently to watch design.

I don't know about you, but baguette diamond indices make me CRAZY. Photo courtesy of Tiffany & Co.

Flip the watch over, and the message becomes even clearer. Inside beats a customized El Primero 400, one of the most important automatic chronograph movements ever made. Integrated, column-wheel controlled, high-beat, and historically bulletproof, it delivers both pedigree and performance, with a 50-hour power reserve and the classic three-register layout. Tiffany’s intervention is subtle but meaningful: the oscillating weight is rebalanced to accommodate an 18k yellow-gold Bird on a Rock, a joyful, unmistakable signature that makes the movement feel personal and uniquely Tiffany.

The Bird on a Rock Schlumberger-designed icon now plays an unexpected part in the Zenith chronograph movement. Photo courtesy of Tiffany & Co.

Limited to just 60 pieces in platinum, the Tiffany Timer feels like a statement of intent. It checks nearly every box of the Tiffany identity: color, diamonds, whimsy, heritage, and now, undeniable mechanical credibility. More importantly, it lays down a foundation. This is not a one-off flex. It is the opening chapter of a watch story that is clearly just getting started.

The Tiffany Timer really makes a statement. A limited edition of 60 pieces. Photo courtesy of Tiffany & Co.

Published on: January 17, 2026

Dolce & Gabbana Reimagines How Watches Are Worn on the Fall–Winter 2026 Milan Runway

Dolce & Gabbana present

Dolce & Gabbana’s Fall–Winter 2026 Milan runway offered a refreshing provocation for anyone who thinks watches begin and end at the wrist. Instead of predictable placements, timepieces appeared as pocket watches slipped into tailoring, belt buckles anchoring the waist, brooches pinned like heirlooms, and pendants worn close to the heart. It felt less like accessorizing and more like archeology, as if Domenico Dolce and Stefano Gabbana were excavating forgotten ways of carrying time and reintroducing them with theatrical confidence.

Dolce & Gabbana Fall-Winter 2026 menswear was shown in Milan in January 2026. Images from Vogue.com.

These weren’t novelty gestures, either. The styling suggested a deeper point: watches are cultural objects before they are technical ones. By liberating them from the wrist, the collection reframed timekeeping as ornament, symbol, and storytelling device. A pocket watch becomes about ritual and intention; a brooch or pendant turns time into something intimate, even emotional. In an era where wristwatches often blur together, this felt genuinely radical, opening a new vocabulary for collectors, designers, and wearers alike. Dolce & Gabbana reminded us that the future of watches may lie not in new complications, but in reimagining how, and why, we choose to wear time at all.

Time takes on a new form and meaning at Dolce & Gabbana's Fall-Winter menswear show in Milan, January 2026. Images from Vogue.com.

Published on: January 14, 2026

Black & White Dials Take 2026: The ORIS Big Crown Pointer Date “Bullseye” Returns

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There’s something quietly confident about Oris bringing back the Big Crown Pointer Date “Bullseye” as a non-limited release, and that may be the most Oris move of all. Rather than treating a cult design like a precious archive piece, the brand is putting it back on wrists, where it belongs.

The “Bullseye” dial isn’t new territory for Oris (black and white dials seem to be having quite a moment). Variations of this concentric, two-tone design appeared in the brand’s catalog as early as the 1910s, resurfaced mid-century, and last appeared in 1998 before quietly disappearing. Now it returns housed in the familiar 38mm Big Crown Pointer Date case—a sweet spot that feels intentionally wearable rather than trend-driven. The cool grey-and-black dial is sharpened by red accents on the date ring and pointer hand, delivering contrast without tipping into novelty.

Black and white is having a moment in 2026. Photo courtesy and copyright Oris, SA.

This is still very much the Big Crown we know: oversized crown, fluted bezel, domed sapphire crystal, and the signature pointer-date complication first introduced in 1938. Inside beats the Oris Calibre 754 automatic movement with a 41-hour power reserve—reliable, serviceable, and refreshingly honest.

Hits the bullseye, on the wrist. Photo courtesy of and Copyright, ORIS, SA.

At CHF 1,950 (approx $2k USD) and paired with a sustainable Cervo Volante deer-leather strap, the Big Crown Pointer Date “Bullseye” lands squarely in Oris’s comfort zone: heritage-rich, mechanically pure, and priced for people who actually wear their watches. In a market obsessed with scarcity, this one’s strength lies in its accessibility—and that makes it one of the most compelling everyday releases. Like it, buy it.

Legible and accessible. The Oris "Bullseye" Big Pointer Date. Photo courtesy and copyright Oris, SA.

Published on: January 13, 2026

OMEGA Speedmaster Moonwatch Black and White: A Graphic Remix of a Lunar Icon

OMEGA present

OMEGA knows better than almost anyone that you don’t improve an icon by reinventing it—you sharpen it. With the new Speedmaster Moonwatch Black and White, the brand delivers a thoughtful, design-driven update that feels both respectful to the history and quietly contemporary.

2026 is starting off strong with OMEGA. Photos courtesy of OMEGA.

At first glance, this is still very much a Moonwatch: 42mm case, classic proportions, step dial, tachymeter bezel. But look closer, and the story is all about graphic reversal and contrast. The polished black main dial sits atop a white base for the subdials, flipping the familiar visual language on its head while dramatically improving legibility. It’s crisp, definitive, and refreshingly modern without drifting into cheap trends. The black ceramic bezel with white enamel tachymeter scale reinforces that monochrome theme, giving the watch a cool, almost architectural presence.

Sure, the steel is nice, but THE 18K MOONSHINE GOLD!! Photos courtesy of OMEGA.

Two versions anchor the release. Stainless steel feels purposeful and tool-like, with rhodium-plated hands and markers, while the 18K Moonshine Gold version leans unapologetically luxe, its warm tones playing beautifully against the stark dial layout. Both are powered by the Master Chronometer Calibre 3861—NASA lineage, Co-Axial architecture, modern anti-magnetic performance, and a five-year warranty included (nice).

No need to ever take this Speedmaster Moonwatch off your wrist. EVER. Photos courtesy of OMEGA.

This isn’t a Moonwatch trying to be louder. It’s one refining its voice. For collectors who already know the Speedmaster story by heart, this black-and-white edition offers something genuinely compelling: familiarity sharpened into focus.

Published on: January 12, 2026

The Golden Globes and the Big Business of Looking Personal

present Red Carpet Watches

We all know the game. Red-carpet watches are rarely spontaneous acts of taste; they’re negotiated, contracted, and camera-ready. Which makes the moments that almost feel organic all the more interesting. Here are some hot takes and personal favorites:

Take Timothée Chalamet in Urban Jürgensen. A beautiful watch, no question—but it reads a little too inside-baseball for someone whose style thrives on cultural friction and left turns. It felt curated rather than chosen.

Conversely, George Clooney delivering a turquoise-dial Omega with a classic tux? Fun and non-traditional. Yes, he’s been a spokesman forever, but the pairing was eye-catching. Confident, relaxed, yet unmistakably a safe bet.

Jeremy Allen White, Vuitton ambassador wearing Louis Vuitton’s Tambour, was one of the night’s better “young” matches—modern, confident, and sort of believable.

The same goes for brand ambassador Jennifer Lawrence in a delicate 1916 Longines cocktail watch. Paired with a nearly nude dress, the restraint felt intentional, tasteful, and super feminine.

Kevin Hart’s yellow-gold Audemars Piguet Royal Oak? Fantastic watch—worn just a touch too prominently.

And finally, with all eyes on the Heated Rivalry duo, Hudson Williams, having fun in a Bulgari Serpenti necklace and watch, made a compelling case: a Serpenti can work for men—just not the way the recent MB&F collab tried to make happen.

At the Golden Globes, authenticity may be rare—but when styling, contracts, money, and personality align, it still shines a spotlight on an industry I love (which, I guess, is the whole point), just maybe a bit misguided.